Young and Innocent

Deceived by the scruffy ginger counselor who is the sole boy near the mental age of her at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Friendless and alone, she holes up in a not motel, disregarding the nagging calls from the daughter of her and indulging in utter anonymity. There Marion meets Norman, along with each is haunted by the sense that they have met the other person before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Innocent and young throws a haze across Hitchcock's spartan menace, replacing autumnal chill with summer swelter, along with adult frailty together with the languageless longings of adolescence.